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Stephen Saperstein Frug's avatar

I fear I might begin to bore you by saying "great essay" so much, but I will point out that if you get tired of it you could always write some mediocre ones on purpose, just as a defensive move. In the meantime, though, I have to say: great essay. The line "We don’t need ethnic cleansing, just a light ethnic tidying up." in particular is what the kids these days refer to, I believe, as "a banger".

The ICE-Watchmen's police connection is one I have thought about a lot since this winter. The line in the show that puts the sharpest point on the connection, at least for me, is the marvelous exchange that Laurie Blake has with Angela Abar / Sister Night before the funeral, where Blake says, as if the lead to a joke: "Do you know how you tell the difference between a masked cop and a vigilante?", to which Abar says, "No," and Blake replies simply "Me neither".

Joshua Corey's avatar

Hard agree that the HBO Watchmen is a masterpiece, and the best available detox for readers of the original who think Rorschach is the one to root for. At the same time, the show is so deeply embedded in the original text--however brilliantly it's been reconstructed to center America's racial imaginary--that I wonder how legible it would be to viewers of younger generations, assuming they see it at all. If you haven't read Watchmen, can you watch Watchmen? I say this having recently taught the Moore-Gibbons novel in my graphic novel course, where it was completely new to my students--a few of them had seen the execrably literal Snyder movie but that was their only context.

I wonder if it's possible for filmed media to NOT produce copaganda, just as it seems impossible to make an antiwar film that isn't at bottom just a war film. The nuanced ambivalence Lindelof wrote into the show disappears the moment we start to fist-pump the righteous violence dealt out by Sister Knight, et al. But that's a larger question.

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